MAKING HISTORY is an epic exploration of who writes about the past and how the biases of certain storytellers - whether Julius Caesar, William Shakespeare or Simon Schama - continue to influence our ideas about history (and about who we are) today. In this authoritative and entertaining book, Richard Cohen reveals how professional historians and other equally significant witnesses (such as the writers of the Bible, major novelists, dramatists, journalists and political propagandists) influence what become the accepted records of human experience. Is there, he asks, even such a thing as 'objective' history? The depth of Cohen's inquiry and the delight he takes in his subjects includes the practitioners of what he calls 'Bad History,' those thieves of history who twist reality to glorify themselves and conceal their or their country's behaviour. Cohen investigates the published works and private utterances of our greatest historical thinkers to discover the agendas that informed their views of the world, and which in so many ways have informed ours. From the origins of history-writing, when such an idea seemed itself revolutionary, through to television and the digital age, MAKING HISTORY abounds in captivating figures brought to vivid life, from Thucydides and Tacitus to Voltaire and Gibbon, from Winston Churchill to Mary Beard. Rich in character, complex truths and surprising anecdotes, the result is a unique exploration of both the aims and craft of history-making. It will lead us to think anew about our past and ourselves.

This book, first published in 1990, evaluates what future policy adjustments the US will have to make in order to successfully navigate through a national security environment radically altered from that of the past and one determined more than at any point in the post-war period by the economic performance of both superpowers. The structure of the book centres around two issues that will determine the future national security environment facing the US. Discussed are stakes of the threat, the response of the Soviet Union to the challenge of economic and related social/political decline and its implications for the Soviet national defence effort. Also studied are the resources available to the US to meet the threat, the status of the US economic performance and the magnitude of resource stress it is likely to face in the future and its probable impact on the US national defence effort.

The art and science of sword fighting goes back almost to the dawn of civilization and has been an obsession for much of mankind throughout recorded history. From the Roman arena to feudal Japan and from the duellists of Europe to the development of modern-day Olympic fencing, Richard Cohen traces the course of swordsmanship with wit and erudition in a fascinating and wonderfully discursive account. Packed with anecdote, superbly written and built on a solid foundation of historical research, this is a tribute to a deadly but beautiful skill, the mastery of which for centuries defined a man.

This book, first published in 1990, evaluates what future policy adjustments the US will have to make in order to successfully navigate through a national security environment radically altered from that of the past and one determined more than at any point in the post-war period by the economic performance of both superpowers. The structure of the book centres around two issues that will determine the future national security environment facing the US. Discussed are stakes of the threat, the response of the Soviet Union to the challenge of economic and related social/political decline and its implications for the Soviet national defence effort. Also studied are the resources available to the US to meet the threat, the status of the US economic performance and the magnitude of resource stress it is likely to face in the future and its probable impact on the US national defence effort.

A Spectator Best Book of the Year `There are three rules for writing a novel,' Somerset Maugham once said. `Unfortunately, no one knows what they are.' So how to bring characters to life, find a voice, kill your darlings, avoid plagiarism (or choose not to), or run that most challenging of literary gauntlets-writing a good sex scene? Veteran editor and author Richard Cohen takes us on a fascinating excursion into the lives and minds of our greatest writers-from Balzac and Eliot to Woolf and Nabokov, through to Zadie Smith and Stephen King, with a few mischievous detours to Tolstoy along the way. In a glittering tour d'horizon, he lays bare their tricks, motivations, techniques, obsessions and flaws.

MAKING HISTORY is an epic exploration of who writes about the past and how the biases of certain storytellers - whether Julius Caesar, William Shakespeare or Simon Schama - continue to influence our ideas about history (and about who we are) today. In this authoritative and entertaining book, Richard Cohen reveals how professional historians and other equally significant witnesses (such as the writers of the Bible, major novelists, dramatists, journalists and political propagandists) influence what become the accepted records of human experience. Is there, he asks, even such a thing as 'objective' history? The depth of Cohen's inquiry and the delight he takes in his subjects includes the practitioners of what he calls 'Bad History,' those thieves of history who twist reality to glorify themselves and conceal their or their country's behaviour. Cohen investigates the published works and private utterances of our greatest historical thinkers to discover the agendas that informed their views of the world, and which in so many ways have informed ours. From the origins of history-writing, when such an idea seemed itself revolutionary, through to television and the digital age, MAKING HISTORY abounds in captivating figures brought to vivid life, from Thucydides and Tacitus to Voltaire and Gibbon, from Winston Churchill to Mary Beard. Rich in character, complex truths and surprising anecdotes, the result is a unique exploration of both the aims and craft of history-making. It will lead us to think anew about our past and ourselves.

The vast majority of books on Buddhism describe the Buddha using the word enlightened, rather than awakened. This bias has resulted in Buddhism becoming generally perceived as the eponymous religion of enlightenment.

Beyond Enlightenment is a sophisticated study of some of the underlying assumptions involved in the study of Buddhism (especially, but not exclusively, in the West). It investigates the tendency of most scholars to ground their study of Buddhism in these particular assumptions about the Buddha's enlightenment and a particular understanding of religion, which is traced back through Western orientalists to the Enlightenment and the Protestant Reformation.

Placing a distinct emphasis on Indian Buddhism, Richard Cohen adeptly creates a work that will appeal to those with an interest in Buddhism and India and also scholars of religion and history.

The vast majority of books on Buddhism describe the Buddha using the word enlightened, rather than awakened. This bias has resulted in Buddhism becoming generally perceived as the eponymous religion of enlightenment.

Beyond Enlightenment is a sophisticated study of some of the underlying assumptions involved in the study of Buddhism (especially, but not exclusively, in the West). It investigates the tendency of most scholars to ground their study of Buddhism in these particular assumptions about the Buddha's enlightenment and a particular understanding of religion, which is traced back through Western orientalists to the Enlightenment and the Protestant Reformation.

Placing a distinct emphasis on Indian Buddhism, Richard Cohen adeptly creates a work that will appeal to those with an interest in Buddhism and India and also scholars of religion and history.

The Sun is so powerful, so much bigger than us, that it is a terrifying subject. Yet though we depend on it, we take it for granted. Amazingly the first book of its kind, CHASING THE SUNis a cultural and scientific history of our relationship with the star that gives us life. Richard Cohen, applying the same mix of wide-ranging reference and intimate detail that won outstanding reviews for By the Sword, travels from the ancient Greek astronomers to modern-day solar scientists, from Stonehenge to Antarctica (site of the solar eclipse of 2003, when penguins were said to sing), Mexico's Aztecs to the Norwegian city of Tromso, where for two months of the year there is no Sun at all. He introduces us to the crucial 'sunspot cycle' in modern economics, the religious dances of Indian tribesmen, the histories of sundials and calendars, the plight of migrating birds, the latest theories of global warming, and Galileo recording his discoveries in code, for fear of persecution. And throughout, there is the rich Sun literature -- from the writings of Homer through Dante and Nietzsche to Keats, Shelley and beyond. Blindingly impressive and hugely readable, this is a tour de force of narrative non-fiction.

'A huge, fizzing omnium-gatherum of a book . . . marvellous' Daily Telegraph 'Witty, wise and elegant . . . a classic of history itself' The Spectator 'Grave and witty, suave yet pointed . . . full of energy' Hilary Mantel 'An enthralling investigation . . . consistently entertaining' The Times 'Epic . . . whatever Cohen writes about he writes about with brio' New Yorker Who writes the past? And how do the biases of storytellers - whether Julius Caesar, William Shakespeare or Simon Schama - influence our ideas about history today? Epic, authoritative and entertaining, Making History delves into the lives of those who have charted human history - professional historians, witnesses, novelists, journalists and propagandists - to discover the agendas that informed their world views, and which in so many ways have informed ours. From the origins of history-writing through to television and the digital age, Making History abounds in captivating figures brought to vivid life, from Thucydides and Tacitus to Voltaire and Gibbon, from Winston Churchill to Mary Beard. Rich in character, complex truths and surprising anecdotes, the result is a unique exploration of both the aims and craft of history-making that will lead us to think anew about our past and ourselves.

"A very personal remembrance of Nora Ephron's life and loves, and her ups and downs" (USA TODAY) by her long-time and dear friend Richard Cohen in a hilarious, blunt, raucous, and poignant recollection of their decades-long friendship.Nora Ephron (1941-2012) was a phenomenal personality, journalist, essayist, novelist, playwright, Oscar-nominated screenwriter, and movie director (Sleepless in Seattle; You've Got Mail; When Harry Met Sally; Heartburn; Julie & Julia). She wrote a slew of bestsellers (I Feel Bad About My Neck: And Other Thoughts on Being a Woman; I Remember Nothing: And Other Reflections; Scribble, Scribble: Notes on the Media; Crazy Salad: Some Things About Women). She was celebrated by Hollywood, embraced by literary New York, and adored by legions of fans throughout the world. Award-winning journalist Richard Cohen, wrote this about She Made Me Laugh: "I call this book a third-person memoir. It is about my closest friend, Nora Ephron, and the lives we lived together and how her life got to be bigger until, finally, she wrote her last work, the play, Lucky Guy, about a newspaper columnist dying of cancer while she herself was dying of cancer. I have interviewed many of her other friends--Mike Nichols, Tom Hanks, Steven Spielberg, Meryl Streep, Arianna Huffington--but the book is not a name-dropping star turn, but an attempt to capture a remarkable woman who meant so much to so many other women." With "the nuanced perspective of a confidant" (The Washington Post), She Made Me Laugh "is a fine tribute to a fascinating woman" (Houston Chronicle): "Nora would be pleased" (People, "Book of the Week").

There is an increase in specialisation within general surgery and now even within its sub specialties. Colorectal surgery is probably the largest of the subspecialties of general surgery, and one of the areas where trainees and consultant general /colorectal surgeons are least confident is in their understanding of the anatomy, physiological pathology and management of the anal canal and pelvis. Currently available there are books on the market centred around the general management of colorectal disease, but the time is now right for a definitive text on the anal canal and pelvis specifically.

Anus: Treatment and Pathology is the perfect guide for the diagnosis and management of patients with anal canal and pelvic floor disorders. Using annotated diagrams matched to cross- sectional radiology with ultrasound and MRI, this book will not only give the reader a thorough understanding of normal anal canal and pelvic floor anatomy, but will also take the reader through the common benign and malignant conditions which affect the anal canal and pelvis describing in detail their pathophysiology, investigation and management. Anus: Treatment and Pathology is aimed at practicing general surgeons, colorectal surgeons and surgical trainees, which can be used either as a practical reference guide for day to day colorectal surgical practice or for in depth text based learning.

This book consists of material in the first chapter of A Physicist's Desk Reference, updated and supplemented by additional new data. It's a self-contained, quick reference guide to the most commonly used mathematical formulas, tables of data, symbols, units, standard nomenclature, and fundamental constants in physics. A useful bibliography to more complete sources of data is also included.

Featuring the first-ever English translation of the "Splendid Vision Sutra," a sixth-century Indian Mahayana Buddhist scripture known for its rich ritual magic and worship of bodhisattva-goddesses, this volume explicates the text's cultural significance as a source of extraordinary value, cosmic truth, and existential meaning.

The ancient author of the "Splendid Vision Sutra" promises every imaginable reward to those who heed its words and rites, whether one's desire is to become king, enjoy heavenly pleasures for thousands of millennia, or attain the spiritual summit of advanced bodhisattvahood. Richard S. Cohen carefully analyzes this religious rhetoric, developing a heuristic model of "scripture" that extends beyond Buddhist literature. In his framework, a text becomes sacred scripture when a community accepts it as a receptacle of extraordinary value, an authoritative source of cosmic truth, and a guide for meaningful action. While clarifying these points, Cohen untangles the discursive skein through which the "Splendid Vision Sutra" expresses its authority, inspires readers to accept that authority, and promises superior power and accomplishments to those who implement its teachings. Exploring ways of living and reading a text, Cohen draws on Marcel Duchamp's theory of found art, Jerzy Grotowski's idealization of the holy actor, and other formulations, identifying contingencies, uncertainties, and incompleteness in the lived present and its determination of our reception of the past. More than a mere introduction to an important work, "The Splendid Vision" opens a window into religious experience and practice in contemporary environments as well as in the world of the sutra.

Featuring the first-ever English translation of the "Splendid Vision Sutra," a sixth-century Indian Mahayana Buddhist scripture known for its rich ritual magic and worship of bodhisattva-goddesses, this volume explicates the text's cultural significance as a source of extraordinary value, cosmic truth, and existential meaning.

The ancient author of the "Splendid Vision Sutra" promises every imaginable reward to those who heed its words and rites, whether one's desire is to become king, enjoy heavenly pleasures for thousands of millennia, or attain the spiritual summit of advanced bodhisattvahood. Richard S. Cohen carefully analyzes this religious rhetoric, developing a heuristic model of "scripture" that extends beyond Buddhist literature. In his framework, a text becomes sacred scripture when a community accepts it as a receptacle of extraordinary value, an authoritative source of cosmic truth, and a guide for meaningful action. While clarifying these points, Cohen untangles the discursive skein through which the "Splendid Vision Sutra" expresses its authority, inspires readers to accept that authority, and promises superior power and accomplishments to those who implement its teachings. Exploring ways of living and reading a text, Cohen draws on Marcel Duchamp's theory of found art, Jerzy Grotowski's idealization of the holy actor, and other formulations, identifying contingencies, uncertainties, and incompleteness in the lived present and its determination of our reception of the past. More than a mere introduction to an important work, "The Splendid Vision" opens a window into religious experience and practice in contemporary environments as well as in the world of the sutra.